Maldivian Craftmanship: Tortoise Shell Craft
Author(s)
Title
Maldivian Craftmanship: Tortoise Shell Craft
Alternative Title
Dhivehi Masakkaiytherikan: Kahabu Fathuge Masakkai (ދިވެހި މަސައްކަތްތެރިކަން : ކަހަބު ފަތުގެ މަސައްކަތް)
Publication Type
Language
div
Number of Pages
5
Location
Maldives
Keywords
Crafts
Tortoise shell
Maldives
Workmanship
Culture
Relevance to ICH Safeguarding
ICH Genre
Description
Tortoise shell crafting or Kahanbufathuge’ Masakkaiy in the Maldives involved a meticulous and skilled process that showcased the artisans’ craftsmanship and creativity. The art was introduced to the Maldives in an exhibition held in 1945. Therefore, the craft was quite a recent addition to the lengthy index of crafts that were practiced in the Maldives. Artisans would obtain tortoise shells primarily from the hawksbill turtle, which was historically found in the waters around the Maldives. These turtles were valued for their beautiful shells, characterized by intricate patterns and a rich coloration.
The artisans categorized these colors and patterns into four:
1. Kalhu Faiyy (black scutes)
2. Raiyy Faiyy (reddish scutes)
3. Dhon Faiyy (light colored scutes)
4. Maajehi Faiyy (marbled scutes)
Once the shells are sourced, they undergo a careful cleaning process to remove any remaining flesh and impurities. This step was crucial, as it ensured that the shell was suitable for crafting. After cleaning, local artisans adapted a method of softening the shells by boiling and soaking them before shaping them. Artisans then used a variety of tools, including knives and chisels, to shape the shells into desired forms. This could involve cutting the shell into flat pieces for inlays or shaping it into three-dimensional objects and using adhesives, welding or melding techniques to hold the desired form. Once shaped, artisans would carve or stamp intricate designs and patterns into or onto the shell. This involved both decorative engraving and functional carving, such as creating combs, jewelry, and decorative items. The designs often reflected local motifs, cultural symbols, or nature-inspired patterns, showcasing the artisans' creativity and cultural heritage. After carving, the pieces were sanded using fine sandpaper. Traditionally artisans used whetstone dust and oil to give the shell a polished finish. However, later on, the artisans shifted to use brasso (a surface preservative), to enhance their shine and luster.
As global awareness of conservation issues grew, particularly concerning endangered species like the hawksbill turtle, the practice faced increasing scrutiny and legal restrictions. This shift led many artisans to explore alternative materials, such as resin or ethically sourced materials, while attempting to maintain the artistic techniques that defined their craft.
The artisans categorized these colors and patterns into four:
1. Kalhu Faiyy (black scutes)
2. Raiyy Faiyy (reddish scutes)
3. Dhon Faiyy (light colored scutes)
4. Maajehi Faiyy (marbled scutes)
Once the shells are sourced, they undergo a careful cleaning process to remove any remaining flesh and impurities. This step was crucial, as it ensured that the shell was suitable for crafting. After cleaning, local artisans adapted a method of softening the shells by boiling and soaking them before shaping them. Artisans then used a variety of tools, including knives and chisels, to shape the shells into desired forms. This could involve cutting the shell into flat pieces for inlays or shaping it into three-dimensional objects and using adhesives, welding or melding techniques to hold the desired form. Once shaped, artisans would carve or stamp intricate designs and patterns into or onto the shell. This involved both decorative engraving and functional carving, such as creating combs, jewelry, and decorative items. The designs often reflected local motifs, cultural symbols, or nature-inspired patterns, showcasing the artisans' creativity and cultural heritage. After carving, the pieces were sanded using fine sandpaper. Traditionally artisans used whetstone dust and oil to give the shell a polished finish. However, later on, the artisans shifted to use brasso (a surface preservative), to enhance their shine and luster.
As global awareness of conservation issues grew, particularly concerning endangered species like the hawksbill turtle, the practice faced increasing scrutiny and legal restrictions. This shift led many artisans to explore alternative materials, such as resin or ethically sourced materials, while attempting to maintain the artistic techniques that defined their craft.
Book/Journal Title
Publisher
Dhivehi Bahaai Thaareekhah Khidhumai kuraa Qaumee Marukazu
Place of Publication
Male', Maldives
Date of Publication
Oct 1981
Issue
31
Pages
22-28
Academic Field
Arts and crafts
Cultural studies
Community/Ethnic Group
Maldivian craftsmen
Contributor
Active Contribution
Maldives, FY 2024